Monday 5 September 2011

Rogue River (2011) Frightfest Review





Torture and kidnap movies are a slowly waining sub-genre in the the current horror trends as we see a swing toward more supernatural flicks. There are still a fair few of them to be released from the indie circuit and ROGUE RIVER is one of these. A young woman sets off to scatter her fathers ashes and meets an unsavoury couple at the titular river. A simple premise and set up though there are a few nasty surprises along the way.

I do not think it is a spoiler to tell you that Bill Mosely is the bad guy in this piece nor do I think it was the film makers intention to hide that from you. Rather the journey from nice guy to psychopath is a newer path for Mosely, he's not an outright psycho from the get go for once, and ROGUE RIVER is not one of those movies out to re-write the rules of horror but one of those that shows you can still deliver a solid entertaining movie within the confines of expectation and you can play about with those confines a little to. Where I was expecting a bit of a dud I got a nice suprise from ROGUE RIVER at Frightfest where it was good to see most negative expectations overturned to a fairly positive response. It was nice to see a couple of psychos inhabit a clean and normal abode rather than a busted old farm house covere in skulls and skin lanterns.

ROGUE RIVER has a thoroughly nasty streak that I think deserves to be celebrated by more horror folks than have been giving this little indie love. I'm happy enough with half a hard on for this solid and a little depraved tale.

Thursday 1 September 2011

The Theatre Bizarre (2011) Frightfest Review







The combined forces of some of horrors more obscure directors should have guaranteed that THE THEATRE BIZARRE be something special and while it is certainly something unique and lives up to the promise of the bizarre part of it's title.

A welcome return to the screen by Richard Stanley is marred by a Doctor Who rubber monster and a variation on "The Hook" from American urban folklore. Karim Hussain does his best to disgust with a woman injecting other peoples eyeball fluid into her own but this pales compared to the directors SUBCONCIOUS CRUELTY and then closer SWEETS is a bright technicolour candyfloss nightmare. It's all a bit odd and a bit off and never gets into the groove of being a cohesive anthology as promised.

Spotty at best and bonkers at worst THE THEATRE BIZARRE is a floppy for Happy Horror Hard On.